- #Davinci resolve mac greyed out options manual#
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- #Davinci resolve mac greyed out options software#
#Davinci resolve mac greyed out options manual#
Of course, I shouldn’t harp on the free part too much considering that I ended up enjoying the program so much that I upgraded to the paid version, DaVinci Resolve Studio. It wasn’t that I couldn’t do 99% of what I needed with the free version. But since I wanted to be able to do things like edit 8K footage and have access to a few other finishing adjustments, the relatively minor investment of $295 was well worth the money.īut, even though I did actually read the manual this time, and even went through the lengthy and thorough online training offered on Blackmagic Design’s website, I was still experiencing some growing pains, especially in the area of color. “Now, wait,” you must be saying. There were a number of benefits. One, it was free. That benefit doesn’t require a lot of explanation. Two, somewhat miraculously, using the DaVinci YRGB Color Managed option, grading the C200 footage suddenly was a breeze. The program itself got me most of the way there, and there were only minor tweaks that I needed to make the final jump. And third, beyond the basics, for whatever reason the color grading process with DaVinci Resolve just made sense to me. I can only really compare it to when I switched from Lightroom/Photoshop to Capture One for my still photography workflow. In an instant, everything I was trying to do simply worked better. And just like Capture One turbocharged my still workflow, DaVinci Resolve made getting the creative looks I wanted a far smoother process. Oh, and it was free. Did I mention it was free?
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To be honest, I had always been somewhat intimidated by DaVinci Resolve. I learned editing originally on an Avid system. Then I used Final Cut Pro for a while before settling on Adobe Premiere. I knew DaVinci Resolve was becoming the prominent film industry tool for color grading. But, every time I opened it, I would scratch my head and say, “what the heck is a node?” But my struggle with my C200 footage was enough to encourage me to give it one more shot. And not just a cursory glance where I gave up before the program fully loaded. I sat down and actually tried to learn it. And as soon as I got over my confusion about nodes, I quickly discovered a powerful tool that has since become my go-to platform for all things post-production.
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Now, if it isn’t completely clear from the preceding paragraphs, I should state that it is entirely possible, if not likely, that my struggles were all my own and not a result of the software itself. But, nonetheless, I struggled. And that’s what led me to try out the free version of DaVinci Resolve to see if I could achieve the results that I was after. My photo and video editing over the years has followed a very similar approach. I tend to find an effective way to accomplish what I need to accomplish, even if sometimes the manner in which I get to my destination isn’t always the most elegant solution or exactly what might be deemed a remotely logical approach by those who actually understand the nuts and bolts.īut I tend to get there in the end, even if it takes me a while. As an example, it took me to darn near two years and several Google searches to figure out the right Canon technical LUT to get my C200 raw footage to look how I wanted. In fact, that initial problem is actually what brought me to our discussion today. Having been editing and grading in Adobe Premiere for the last several years, for the life of me, I just couldn’t quite get the colors exactly how I wanted them. It’s not that anything was super off. It’s just that as much as I fiddled in the Lumetri panel, I struggled to achieve the results that I was after. As someone whose work relies a lot on color precision, this was driving me a bit nuts.
My usual response to this is similar to when I got into a minor car accident in college that left me with a bumper half dangling off and no money to fix the problem. A few rolls of duct tape later and I was good as new. Okay, not so good as new. And, yes, my dating life suffered. But it worked for the time being. True that wasn’t how it was supposed to work. But, it was a solution that worked for me. No, no. It’s not false modesty. It’s not that I don’t know anything after two decades of running still and video through various editing and post-processing software to create assets for my clients. But there’s a point in every digital process where my brain simply starts to hurt when trying to wrap my head around the technology. Now, let’s get one thing out of the way up front. I am not a computer genius.
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